Vocaloid 3 English Dictionary Download

This is the FAQ page for the official VOCALOID website run by Yamaha Corporation. About 'Please advise how to import English user dictionary file of VOCALOID2 into VOCALOID3 Editor.' Free download vocaloid 2 english manual Files at Software Informer. Proceviri is a program that translates all kinds of texts from English to Turkish. The vocabulary.

Development status Active (see ) Windows macOS Apple iOS (Mobile Vocaloid Editor, Japan Only) Available in Japanese, English, Korean, Spanish, Chinese Musical Synthesizer Application Proprietary Website Vocaloid ( ボーカロイド, Bōkaroido) is a singing. Its signal processing part was developed through a joint research project led by Kenmochi Hideki at the in,, in 2000 (the same team that later founded Voctro Labs ) and originally was not intended to be a full commercial project. Backed by the, it developed the software into the commercial product 'Vocaloid'. The software enables users to synthesize 'singing' by typing in and. It uses synthesizing technology with specially recorded vocals of voice actors or singers. To create a song, the user must input the melody and lyrics. A type interface is used to input the melody and the lyrics can be entered on each note.

The software can change the stress of the pronunciations, add effects such as vibrato, or change the dynamics and tone of the voice. Each Vocaloid is sold as 'a singer in a box' designed to act as a replacement for an actual singer. The software was originally only available in starting with the first Vocaloids Leon, Lola and Miriam by, and with Meiko and Kaito made by Yamaha and sold. Vocaloid 3 has added support for for the Vocaloids Bruno, Clara and Maika; for Luo Tianyi and Xin Hua; for SeeU. The software is intended for professional musicians as well as light computer music users. Japanese musical groups of and of have released their songs featuring Vocaloid as vocals.

Japanese record label Exit Tunes of also have released featuring Vocaloids. Artists such as have also used Vocaloids within their work for back up singer vocals and sound samples. • (SMS) • (based on Fig.1 on ) Vocaloid's () technology is generally categorized into the in the, which splices and processes the vocal fragments extracted from human singing voices, in the forms of. The Vocaloid system can produce the realistic voices by adding vocal expressions like the on the score information. Initially, Vocaloid's synthesis technology was called 'Frequency-domain Singing Articulation Splicing and Shaping' ( 周波数ドメイン歌唱アーティキュレーション接続法, Shūhasū-domain Kashō Articulation Setsuzoku-hō) on the release of in 2004, although Yamaha no longer uses this name since the release of in 2007. 'Singing ' is explained as 'vocal expressions' such as vibrato and vocal fragments necessary for singing.

The Vocaloid and Vocaloid 2 synthesis engines are designed for singing, not reading text aloud, though software such as Vocaloid-flex and Voiceroid have been developed for that. They cannot naturally replicate singing expressions like hoarse voices or shouts. System architecture [ ]. Vocaloid system diagram (based on Fig.1 on ) The main parts of the Vocaloid 2 system are the Score Editor (Vocaloid 2 Editor), the Singer Library, and the Synthesis Engine. The Synthesis Engine receives score information from the Score Editor, selects appropriate samples from the Singer Library, and concatenates them to output synthesized voices.

There is basically no difference in the Score Editor and the Synthesis Engine provided by Yamaha among different Vocaloid 2 products. If a Vocaloid 2 product is already installed, the user can enable another Vocaloid 2 product by adding its library. The system supports three languages, Japanese, Korean, and English, although other languages may be optional in the future.

It works standalone (playback and export to ) and as a application or a instrument (VSTi) accessible from a (DAW). Score Editor [ ]. Song example: ' The Score Editor is a style editor to input notes, lyrics, and some expressions.

When entering lyrics, the editor automatically converts them into Vocaloid using the built-in pronunciation dictionary. The user can directly edit the phonetic symbols of unregistered words. The Score Editor offers various parameters to add expressions to singing voices. The user is supposed to optimize these parameters that best fit the synthesized tune when creating voices. This editor supports ReWire and can be synchronized with DAW. Real-time 'playback' of songs with predefined lyrics using a is also supported. Singer Library [ ] Each Vocaloid license develops the Singer Library, or a of vocal fragments sampled from real people.

The database must have all possible combinations of of the target language, including (a chain of two different phonemes) and sustained vowels, as well as with more than two phonemes if necessary. For example, the voice corresponding to the word 'sing' ([sIN]) can be synthesized by concatenating the sequence of diphones '#-s, s-I, I-N, N-#' (# indicating a voiceless phoneme) with the sustained vowel ī. The Vocaloid system changes the of these fragments so that it fits the melody.

In order to get more natural sounds, three or four different pitch ranges are required to be stored into the library. Japanese requires 500 diphones per pitch, whereas English requires 2,500. Japanese has fewer diphones because it has fewer phonemes and most syllabic sounds are ending in a.

In Japanese, there are basically three patterns of diphones containing a: voiceless-consonant, vowel-consonant, and consonant-vowel. On the other hand, English has many ending in a consonant, and consonant-consonant and consonant-voiceless diphones as well.

Thus, more diphones need to be recorded into an English library than into a Japanese one. Due to this linguistic difference, a Japanese library is not suitable for singing in eloquent English. Synthesis Engine [ ]. Vocaloid Synthesis Engine (based on Fig.4 on ) The Synthesis Engine receives score information contained in dedicated messages called Vocaloid MIDI sent by the Score Editor, adjusts pitch and of the selected samples in frequency domain, and splices them to synthesize singing voices. When Vocaloid runs as VSTi accessible from DAW, the bundled VST bypasses the Score Editor and directly sends these messages to the Synthesis Engine.

Timing adjustment In singing voices, the consonant of a syllable is uttered before the vowel onset is uttered. The starting position of a note ('Note-On') must be the same as that of the vowel onset, not the start of the syllable. Vocaloid keeps the 'synthesized score' in memory to adjust sample timing so that the vowel onset should be strictly on the 'Note-On' position.

No timing adjustment would result in delay. Pitch conversion Since the samples are recorded in different pitches, pitch conversion is required when concatenating the samples.

The engine calculates a desired pitch from the notes,, and vibrato parameters, and then selects the necessary samples from the library. Timbre manipulation. The engine smooths the timbre around the junction of the samples.

The timbre of a sustained vowel is generated by interpolating spectral of the surrounding samples. For example, when concatenating a sequence of diphones 's-e, e, e-t' of the English word 'set', the spectral envelope of a sustained ē at each frame is generated by interpolating ē in the end of 's-e' and ē in the beginning of 'e-t'. Transforms After pitch conversion and timbre manipulation, the engine does transforms such as Inverse (IFFT) to output synthesized voices. As Gumi, a mascot of, at JAPAN 2009 Vocaloid-flex Yamaha developed Vocaloid-flex, a singing software application based on the Vocaloid engine, which contains a. According to the official announcement, users can edit its phonological system more delicately than those of other Vocaloid series to get closer to the actual speech language; for example, it enables final devoicing, unvoicing vowel sounds or weakening/strengthening consonant sounds. It was used in a video game released on April 28, 2010.

It is still a corporate product and a consumer version has not been announced. This software was also used for the robot model at Japan 2009. Gachapoid has access to this engine and it is used through the software V-Talk. VocaListener Another Vocaloid tool that was developed was VocaListener, a software package that allows for realistic Vocaloid songs to be produced by analyzing an audio recording of a singing performance () and imitating it to generate Vocaloid singing parameters automatically. See also: To aid in the production of 3D Vocaloid animations, the program was developed. This allowed a boom in the birth of fan-made and derivative characters, as well as a boost in the promotions of Vocaloid songs. MikuMikuDance's developer went on a hiatus in May 2011 (initially announced as a retirement from development), but started updating the software again in June 2013.

NetVocaloid NetVocaloid was an online vocal synthesis service. Users could synthesize singing voices on a device connected to the Internet by executing the Vocaloid engine on the server. This service could be used even if the user did not own the Vocaloid software. The service was available in both English and Japanese. However, as of April 2012, the service was no longer being offered on Yamaha's website.

MMDAgent MMDAgent is a software developed by the International Voice Engineering Institute in the, and the Alpha version was released on December 25, 2010. This particular software allows users to interact with 3D models of the Vocaloid mascots. The software is made from 3D models and sound files that have already been made available on the internet and will be disputed as freeware for that reason. NetVocalis NetVocalis is a software being developed by Bplats, makers of the VY series, and is similar to VocaListener. Vocaloid Editor for Cubase.

See also: This particular version of Vocaloid is built solely for. It features no additional voices but will use any voice from Vocaloid 2 and Vocaloid 3 and acts as a plugin for the Cubase software. The result is that this version is compatible with most functions of Cubase 6.5 and can use its tools such as buses, filters and mixers without worrying about complications. Vocalodama A iOS game app made using the vocaloid software. Vocaloid Net A replacement of the NetVocaloid service, and additional service for Vocaloid engine versions from Vocaloid 3 onwards,.

Basic service is provided with free registration, and several quotas can be relaxed by premium service with fee. Vocaloid first Offered as a 'free' version of Vocaloid, it contains the VY1 vocal in a low quality form and was released for the. Vocalowitter Originally introduced as 'i-Vocaloid', this is a mobile app version of the Vocaloid software with Vocaloid2 technology and was released for the iPhone.

IVocaloid This was a more advanced version of the Vocalowitter app and was for the iPhone and iPad, it was based on the Vocaloid2 and Vocaloid3 engine. Unity with Vocaloid Originally introduced under the name 'Vocaloid for Unity', this is a version of the Vocaloid engine for the.

Mobile Vocaloid Editor. Main article: This is a which has Vocaloid voices loaded into it. Vocaloop A prototype for a device called 'Vocaloop' (Vocal∞p) was also in development, this is a loop sequencer which allows singing results in real time. Marketing [ ] Though developed by Yamaha, the marketing of each Vocaloid is left to the respective studios. Yamaha themselves do maintain a degree of promotional efforts in the actual Vocaloid software, as seen when the model HRP-4C of the (AIST) was set up to react to three Vocaloids—, and Crypton's noncommercial Vocaloid software 'CV-4Cβ'—as part of promotions for both Yamaha and AIST at CEATEC in 2009. The prototype voice CV-4Cβ was created by sampling a Japanese voice actress, Eriko Nakamura.

Japanese magazines such as DTM magazine are responsible for the promotion and introduction for many of the Japanese Vocaloids to Japanese Vocaloid fans. It has featured Vocaloids such as Miku,, and Luka, printing some sketches by artist Kei and reporting the latest news on the Vocaloids. Thirty-day of Miriam, Lily and Iroha have also contributed to the marketing success of those particular voices. After the success of SF-A2 Miki's CD album, other Vocaloids such as VY1 and Iroha have also used promotional CDs as a marketing approach to selling their software. When in Japan opened on November 9, 2010, Vocaloid albums were featured as its free-of-charge contents.

Crypton has been involved with the marketing of their Character Vocal Series, particularly Hatsune Miku, has been actively involved in the GT300 class of the since with the support of Good Smile Racing (a branch of, mainly in charge of car-related products, especially (cars featuring illustrations of anime-styled characters) stickers). Although Good Smile Company was not the first to bring the anime and manga culture to Super GT, it departs from others by featuring itasha directly rather than colorings onto vehicles. Since the 2008 season, three different teams received their sponsorship under Good Smile Racing, and turned their cars to Vocaloid-related artwork: •, which participated in the and with, and in the. Their car was painted in official Hatsune Miku art in 2008 season, but started using fan-derivative versions of Hatsune Miku in some races since the 2009 season. The team was crowned as GT300 Champion by winning in three out of eight rounds (,, as well as ), which are all from to.

• Team MOLA, using a, and they received sponsors on the final race in in the 2008 season. Images of Kagamine Rin and Len was added on their original colorings.

The Fuji round, in fact, is the first race to feature two unique itasha cars competing in a single race. • Team COX, participating in the, which used a and a Porsche 997 GT3-R. Their car used Racing Miku (an official Hatsune Miku derivative, wearing an orange suit) as their image. As well as involvements with the GT series, Crypton also established the website Piapro. A number of games starting from were produced by under license using Hatsune Miku and other Crypton Vocaloids, as well as 'fan made' Vocaloids.

Later, a mobile phone game called Hatsune Miku Vocalo x Live was produced by Japanese mobile social gaming website Gree. TinierMe Gacha also made attire that looks like Miku for their services, allowing users to make their avatar resemble the Crypton Vocaloids. Two unofficial manga were also produced for the series, being the most well known of the two, which was released by in their magazine; this series is drawn by Vocaloid artist Kei. The series features the Crypton Vocaloids in various scenarios, a different one each week. The series focuses on the Crypton Vocaloids, although Internet Co., Ltd.'

S Vocaloid makes a guest appearance in two chapters. The series also saw guest cameos of Vocaloid variants such as Hachune Miku, Yowane Haku, Akita Neru and the Utauloid Kasane Tet Scala 40 Gioco Di Carte Per Pc Free Download on this page. o. The series comprises the original 28 chapters serialized in Comic Rush and a collection of the first 10 chapters in a single volume. A manga was produced for Lily by Kei, who also drew the mascot. An titled 'Schwarzgazer', which shows the world where Lily is, was produced and it was released with the album anim.o.v.e 02, however the song is sung by, not by Vocaloids.

A manga based on Hatsune Miku and drawn by Kentaro Hayashi, Shūkan Hajimete no Hatsune Miku!, began serialization in on September 2, 2010. Hatsune Miku appeared in magazine. However, Crypton Future Media confirmed they will not be producing an anime based on their Vocaloids as it would limit the creativity of their user base, preferring to let their user base to have freedom to create PV's without restrictions. Initially, Crypton Future Media were the only studio that was allowed the license of figurines to be produced for their Vocaloids.

A number of figurines and plush dolls were also released under license to Max Factory and the of Crypton's Vocaloids. Among these figures were also models of the entire 'Character Vocal Series' mascots as well as figures of various Crypton Vocaloids and variants. Versions of Hatsune Miku, Kagamine Len and Rin have also been produced for release in April 2011; other Vocaloid dolls have since been announced from the Pullip doll line. As part of promotions for Vocaloid Lily, license for a figurine was given to Phat Company and Lily became the first non-Crypton Vocaloid to receive a figurine. With regard to the English Vocaloid studios, Power FX's Sweet Ann was given her own page and Sonika her own account. In comparison to Japanese studios, Zero-G and PowerFX maintain a high level of contact with their fans. Zero-G in particular encourages fan feed back and, after adopting Sonika as a mascot for their studio, has run two competitions related to her.

There was also talk from PowerFX of redoing their Sweet Ann box art and a competition would be included as part of the redesign. The Vocaloid Lily also had a competition held during her trial period. English Vocaloids have not sold enough to warrant extras, such as seen with Crypton's Miku Append. However, it has been confirmed if the English Vocaloids become more popular, then Appends would be an option in the future. Crypton plans to start an electronic magazine for English readers at the end of 2010 in order to encourage the growth of the English Vocaloid fanbase. Extracts of PowerFX's Sweet Ann and Big Al were included in Soundation Studio in their Christmas loops and sound release with a competition included.

Crypton and began working together to promote the launch of the 2011 using Hatsune Miku to promote the car. The launch of the car also marked the start of Miku's debut in the US alongside it. Crypton had always sold Hatsune Miku as a virtual instrument, but they decided to ask their own fanbase in Japan if it was okay with them to market her to the United States as a virtual singer instead.

Promotional events [ ] The largest promotional event for Vocaloids is 'The Voc@loid M@ster' (Vom@s) convention held four times a year in or the neighboring. The event brings producers and illustrators involved with the production of Vocaloid art and music together so they can sell their work to others. The original event was held in 2007 with 48 groups, or 'circles', given permission to host stalls at the event for the selling of their goods.

The event soon gained popularity and at the 14th event, nearly 500 groups had been chosen to have stalls. Additionally, Japanese companies involved with production of the software also have stalls at the events.

The very first live concert related to Vocaloid was held in 2004 with the Vocaloid Miriam in Russia. Vocaloids have also been promoted at events such as the NAMM show and the Musikmesse fair.

In fact, it was the promotion of Zero-G's Lola and Leon at the NAMM trade show that would later introduce PowerFX to the Vocaloid program. These events have also become an opportunity for announcing new Vocaloids with Prima being announced at the NAMM event in 2007 and Tonio having been announced at the NAMM event in 2009. A customized, Chinese version of Sonika was released at the Fancy Frontier Develop Animation Festival, as well as with promotional versions with stickers and posters.

Sanrio held a booth at 78 featuring the voice of an unreleased Vocaloid. AH Software in cooperation with Sanrio shared a booth and the event was used to advertise both the Hello Kitty game and AH Software's new Vocaloid. At the Nico Nico Douga Daikaigi 2010 Summer: Egao no Chikara event, Internet Co., Ltd.

Announced their latest Vocaloid 'Gachapoid' based on popular children's character Gachapin. Originally, Hiroyuki Ito—President of Crypton Future Media—claimed that Hatsune Miku was not a virtual idol but a kind of the instrument.

However, Hatsune Miku performed her first 'live' concert like a virtual idol on a projection screen during at the on August 22, 2009. At the 'MikuFes '09 (Summer)' event on August 31, 2009, her image was screened by on a mostly-transparent screen. Miku also performed her first overseas live concert on November 21, 2009, during (AFA) in. On March 9, 2010, Miku's first solo live performance titled 'Miku no Hi Kanshasai 39's Giving Day' was opened at the Zepp Tokyo in, Tokyo. The tour was run as part of promotions for Sega's Hatsune Miku: Project Diva video game in March 2010. The success and possibility of these tours is owed to the popularity of Hatsune Miku and so far Crypton is the only studio to have established a world tour of their Vocaloids. Later, the CEO of Crypton Future Media appeared in at the start of the San Francisco tour where the first Hatsune Miku concert was hosted in North America on September 18, 2010, featuring songs provided by the Miku software voice.

A second screening of the concert was on October 11, 2010 in the San Francisco Viz Cinema. A screening of the concert was also shown in in the city's.

Hiroyuki Ito, and planner/producer, Wataru Sasaki, who were responsible for Miku's creation, attended an event on October 8, 2010 at the festival. Videos of her performance are due to be released worldwide. Megpoid and Gackpoid were also featured in the 2010 King Run Anison Red and White concert. This event also used the same projector method to display Megpoid and Gackpoid on a large screen.

Their appearance at the concert was done as a one-time event and both Vocaloids were featured singing a song originally sung by their respective voice provider. The next live concert was set for Tokyo on March 9, 2011. Other events included the Vocarock Festival 2011 on January 11, 2011 and the Vocaloid Festa which was held on February 12, 2011. The Vocaloid Festa had also hosted a competition officially endorsed by, with the winner seeing their creation unveiled at Vocafes2 on May 29, 2011. The first Vocaloid concert in North America was held in Los Angeles on July 2, 2011 at the during; the concert was identical to the March 9, 2010 event except for a few improvements and new songs.

Another concert was held in Sapporo on August 16 and 17, 2011. Hatsune Miku also had a concert in Singapore on November 11, 2011. The most recent concert was held on March 8 and 9, 2012 in Tokyo called 'Special Thanks 39's Part 2'.

Cultural impact [ ]. Is partly responsible for Vocaloid's success.

The software became very popular in Japan upon the release of Crypton Future Media's Hatsune Miku Vocaloid 2 software and her success has led to the popularity of the Vocaloid software in general. Japanese played a fundamental role in the recognition and popularity of the software.

A user of Hatsune Miku and an illustrator released a much-viewed video, in which 'Hachune Miku', a Miku, held a ( Negi in Japanese), which resembles a leek, and sang the ' like the ', on Nico Nico Douga. According to Crypton, they knew that users of Nico Nico Douga had started posting videos with songs created by the software before Hatsune Miku, but the video presented multifarious possibilities of applying the software in multimedia content creation—notably the culture. As the recognition and popularity of the software grew, Nico Nico Douga became a place for collaborative content creation. Popular original songs written by a user would generate illustrations, animation in and, and remixes by other users. Other creators would show their unfinished work and ask for ideas.

The software has also been used to tell stories using song and verse and the series has become so popular that a manga, six books, and two theatre works were produced by the series creator. Another theater production based on 'Cantarella', a song sung by Kaito and produced by Kurousa-P, was also set to hit the stage and will run Shibuya's Space Zero theater in Tokyo from August 3 to August 7, 2011. The website has become so influential that studios often post demos on Nico Nico Douga, as well as other websites such as, as part of the promotional effort of their Vocaloid products. The important role Nico Nico Douga has played in promoting the Vocaloids also sparked interest in the software and, the artist of Gakupo's mascot design, had offered his services for free because of his love for the website. In September 2009, three figurines based on the derivative character 'Hachune Miku' were launched in a from the state of 's, though it did not reach. In late November 2009, a petition was launched in order to get a custom made Hatsune Miku aluminum plate (8 cm x 12 cm, 3.1' x 4.7') made that would be used as a balancing weight for the Japanese. Started by Hatsune Miku fan Sumio Morioka that goes by chodenzi-P, this project received the backing of Dr.

Seiichi Sakamoto of the (JAXA). The website of the petition written in Japanese was translated into other languages such as English,, Chinese and Korean, and, the petition exceeded the needed 10,000 signatures necessary to have the plates made on December 22, 2009. On May 21, 2010 at 06:58:22 (), Akatsuki was launched on the rocket 202 Flight 17 from the Japanese, having three plates depicting Hatsune Miku.

The Vocaloid software has also had a great influence on the character, which looks like Hatsune Miku but is not linked to her by design. The character was made famous by the song 'Black Rock Shooter', and a number of figurines have been made.

An made by was streamed for free as part of a promotional campaign running from June 25 to August 31, 2010. The virtual idols 'Meaw' have also been released aimed at the Vocaloid culture. The twin Thai virtual idols released two singles, 'Meaw Left ver.' And 'Meaw Right ver.' , sung in Japanese. A cafe for one day only was opened in Tokyo based on Hatsune Miku on August 31, 2010.

A second event was arranged for all Japanese Vocaloids. 'Snow Miku' was also featured on an event as a part of the 62nd in February 2011. A Vocaloid-themed TV show on the Japanese Vocaloids called Vocalo Revolution began airing on on January 3, 2011.

The show is part of a bid to make the Vocaloid culture more widely accepted and features a mascot known as 'Cul', also mascot of the 'Cul Project'. The show's first success story is a joint collaboration between Vocalo Revolution and the school fashion line 'Cecil McBee' Music x Fashion x Dance. Piapro also held a competition with famous fashion brands with the winners seeing their -based designs reproduced for sale by the company Putumayo. A radio station set up a 1-hour program containing nothing but Vocaloid-based music. The Vocaloid software had a great influence on the development of the freeware. Several products were produced for the ( Mac音シリーズ) for intended use for the programs and.

These products were sold by Act2 and by converting their file format, were able to also work with the Utau program. The program Maidloid, developed for the character Acme Iku ( 阿久女イク), was also developed, which works in a similar way to Vocaloid, except produces erotic sounds rather than an actual singing voice. Other than Vocaloid, AH Software also developed Tsukuyomi Ai and Shouta for the software, and the sale of their Vocaloids gave AH software the chance to promote Voiceroid at the same time. The software is aimed for speaking rather than singing. Both AH Software's Vocaloids and Voiceroids went on sale on December 4, 2009. Crypton Future Media has been reported to openly welcome these additional software developments as it expands the market for synthesized voices.

During the events of the, a number of Vocaloid related donation drives were produced. Crypton Future Media joined several other companies in a donation drive, with money spent on the sales of music from Crypton Future Media's KarenT label being donated to the. In addition, a special of Hatsune Miku, Nendoroid Hatsune Miku: Support ver., was announced with a donation of 1,000 yen per sale to the Japanese Red Cross. In 2012, Vocaloid was quoted as one of the contributors to a 10% increase in related services.

In 2013, the Vocaloid 3 software Oliver was used as the voice of character Puppycat from their web series Bee and Puppycat. Retrieved April 6, 2013. • ^ Werde, Bill (November 23, 2003)...

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VOCALOID1, Product line up (vocaloid.com).. Retrieved 7 April 2016. VOCALOID1製品紹介, ボカロ製品一覧 (vocaloid.com) (in Japanese).. Retrieved 7 April 2016. • [Input Lyrics and Melody and Singing is Produced: Yamaha Develops Singing Synthesis Software] (in Japanese).

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Retrieved October 24, 2013. • [[Notice] 'Singing keyboard Pocket Miku' have been determined to be released in upcoming April 3! It can be bought on the book shops across Japan. ( ` •ω•´)] (in Japanese)..

February 18, 2014. Retrieved February 28, 2014. • [VOCALOOP - A loop sequencer gadget that can make an eVOCALOID sing] (in Japanese). Retrieved March 2, 2014. • [Diginfo Video Report: The Singing Robot Which Uses the Singing Synthesis Soft 'Vocaloid'] (in Japanese).

Japan Corporate News Network. October 18, 2009. Retrieved July 24, 2010. • [The New Vocaloid 'CV-4Cβ' Sings at CEATEC. The Vocal Comes from Eriko Nakamura] (in Japanese).

October 8, 2009. Retrieved July 24, 2010. • Matsuo, Kōya (October 9, 2009). [CEATEC Japan 2009: I Met a Humanoid Which Has Three Singing Voicals—Miku, Megupo And Haruka] (in Japanese).

Retrieved October 24, 2010. • [Japanese Version of Amazon MP3 Starts. Music Downloads with DRM-Free] (in Japanese). November 9, 2010.

Retrieved November 15, 2010. • [Amazon Begins the Service of MP3 Downloads! Furthermore, There Are 0 Yen Songs with DRM-Free]. Gadget Tsushin (in Japanese).. November 9, 2010. Retrieved November 15, 2010.

• ['4th' Car of Hatsune Miku Is Z4 GT3! Taniguchi and Ukyō SD Newly Join the Team] (in Japanese). February 6, 2011. Retrieved February 7, 2011. • (in Japanese). Super GT.net.

August 18, 2008. Retrieved August 21, 2008. • (in Japanese).. November 11, 2008. Retrieved November 16, 2008. • (in Japanese).. November 11, 2008.

Retrieved November 16, 2008. November 11, 2008. Retrieved November 16, 2008. • [Piapro CGM Style Contents Submission Site] (in Japanese). Crypton Future Media.

Retrieved July 11, 2010. Vocaloid Creativity Community. October 26, 2010. Archived from on December 13, 2010. Retrieved October 28, 2010. Gcrest Entertainment. Retrieved July 23, 2010.

July 21, 2010. Retrieved July 23, 2010. • [Maker Unofficial: Hatsune Mix 1] (in Japanese).. Retrieved October 5, 2010. • [anim.o.v.e 02 News Update!] (in Japanese).. June 22, 2010.

Retrieved October 5, 2010. • [Schwarzgazer Digicomic Movie on Video Sites!] (in Japanese).. July 28, 2010. Retrieved October 5, 2010. • [Lily News] (in Japanese). Retrieved October 5, 2010.

• [A Yonkoma Gag of 'Outspoken' Hatsune Miku Starts on Yanjan]. (in Japanese)..

August 26, 2010. Retrieved October 10, 2010.

March 22, 2011. Retrieved March 24, 2011. • Macias, Patrick (July 21, 2011)... Archived from on 24 July 2011. Retrieved August 3, 2011.

January 11, 2011. Retrieved January 14, 2011.

• [A Group of Cute Researchers(?) Visit Our Company!] (in Japanese). January 23, 2011. Retrieved January 28, 2011. July 22, 2010. Retrieved July 25, 2010.

Retrieved July 8, 2010. Retrieved July 8, 2010.

Engloids (powered by ). January 4, 2010. Retrieved July 4, 2010. Vocaloid Creativity Community. August 10, 2010. Archived from on July 17, 2011. Retrieved October 25, 2010.

December 15, 2010. Retrieved December 15, 2010. Retrieved May 6, 2011. • Wataru Sasaki [crypton_wat / @vocaloid_cv_cfm] (May 10, 2011). [A break in brainstorming: while confirming the difference of the national characteristics between the United States and Japan, as a major premise, more consideration should be given to (both) the people who first knew Miku in commercial advertisements, and the mentality of fans on the Web. And as a fundamental, we emphasize an opinion 'Hatsune Miku as a virtual SINGER'. Well, and then?].

(in Japanese).. Retrieved May 14, 2011. • [Vocaloid Only Event 'The Voc@loid M@ster'] (in Japanese). Retrieved November 3, 2010. Vocaloid Creativity Community. November 2, 2010.

Archived from on December 13, 2010. Retrieved November 3, 2010. Jasmine Music Technology. December 6, 2004. Retrieved January 3, 2012. Retrieved July 11, 2010. • Fujimoto, Ken (August 16, 2010).

[Hello Kitty Together with Vocaloid 2; What the!?]. Ken Fujimoto's DTM Station powered by Livedoor News (in Japanese).. Archived from on 20 August 2010. Retrieved August 20, 2010. • Okada, Yuka (March 18, 2008).

[Is Hatsune Miku a Right Holder?] (in Japanese). Retrieved December 3, 2010. August 23, 2009. Retrieved August 26, 2009. • [Also Kageyama, Horie and Hatsune Miku! Performers for 'Anisama' Are Added]. Oricon Style (in Japanese)..

August 6, 2009. Retrieved July 15, 2010. • Hirota, Minoru (September 1, 2009). [Hatsune Miku Sings and Dances! Report on MikuFes '09 (Summer)] (in Japanese).. Retrieved October 29, 2010. Anime Festival Asia.

Retrieved November 24, 2009. • ['Electronic Diva' Hatsune Miku's First Oversea Concert Is Held] (in Japanese).. November 21, 2009. Retrieved July 15, 2010. December 10, 2009.

Retrieved July 15, 2010. • [Hatsune Miku Performs A Solo Concert, And 39 Secrets Are Revealed] (in Japanese)..

March 10, 2010. Retrieved July 15, 2010. July 18, 2010. Retrieved October 6, 2010. September 18, 2010. Retrieved October 6, 2010.

September 7, 2010. Retrieved October 6, 2010. October 1, 2010.

Retrieved October 6, 2010. September 9, 2010. Retrieved October 8, 2010.

Medium At Large. September 8, 2010. Retrieved October 8, 2010. October 21, 2010.

Retrieved October 23, 2010. • [At 'King Run Anison Red and White 2010' Gakupo and Gumi Appeared]. Hatsune Miku Miku (in Japanese). January 2, 2011. Retrieved January 4, 2011. December 8, 2010. Retrieved December 8, 2010.

• [Vocarock Collection feat. Hatsune Miku presents Vocarock Festival 2011] (in Japanese). Farm Records. Retrieved December 22, 2010. • [Vocaloid Festa Official Website] (in Japanese). Vocaloid Fest.

Archived from on March 23, 2011. Retrieved December 22, 2010. • (in Japanese).. Retrieved December 22, 2010. • [Vocalo Project Vocaloid Festa Official Website] (in Japanese). Archived from on February 23, 2011.

Retrieved February 18, 2011. May 12, 2011. Retrieved May 13, 2011. June 1, 2011. Retrieved June 8, 2011. • Takahashi, Akiko (January 15, 2008).

[Why 'Hatsune Miku Has a Negi' And 'Kagamine Rin Rides on a Road Roller'?] (in Japanese).. Retrieved October 23, 2010. • Okada, Yuka (February 25, 2008). [Interview with Crypton Future Media (3): Hatsune Miku Opens the 'Creative Mind'] (in Japanese). Retrieved February 29, 2008. • Okada, Yuka (September 28, 2007). [DTM in the Boom Again!?

'Hatsune Miku' Discovers 'Anonymous Creators'] (in Japanese). Retrieved February 29, 2008.

• [Super Popular Vocaloid Song with 2 Million Views, Aku no Meshitsukai, Gets a Comic] (in Japanese).. August 27, 2010. Retrieved October 5, 2010.

• [Aku no Musume: Ki no Cloiture] (in Japanese).. Retrieved November 20, 2010. May 30, 2011. Retrieved May 31, 2011. • [Gackpoid to be Sold in July with 'Nicochū' Manga Author Kentaro Miura's Illustration] (in Japanese). June 20, 2008.

Retrieved July 11, 2010. September 8, 2009.

Retrieved July 14, 2010. • Okada, Yuka (October 8, 2009). ['You Too Will Explore Space' Aiming to Launch the 'Hachune Miku Satellite' 'SOMESAT'] (in Japanese). Retrieved July 14, 2010. • [Sign to Get Hatsune Miku Image on Board Venus Explorer Akatsuki] ( for collecting signatures) (in Japanese).

Retrieved December 18, 2009. • Morioka, Sumio (February 23, 2010). [I See 'Akatsuki' And the Hatsune Miku Panels that Will Fly to Venus] (in Japanese). Retrieved November 15, 2010.

• ['Send Hatsune Miku to Venus' Spreading Worldwide. The Number of Petitions Exceeds 10,000 And Illustrations Are Now Wanted] (in Japanese). December 25, 2009. Retrieved November 15, 2010. • Morioka, Sumio (May 20, 2010).

['Akatsuki,' Ridden by Hatsune Miku, Challenges to Be Launched Again] (in Japanese). Retrieved May 28, 2010. • Morioka, Sumio (May 21, 2010).

[Hatsune Miku Eventually Goes to the Space! 'Akatsuki' Was Successfully Launched] (in Japanese).

Retrieved May 28, 2010. • [Black Rock Shooter:: supercell] (in Japanese).. Retrieved July 8, 2010. March 23, 2010.

Retrieved July 8, 2010. The New Virtual Idol Unite Meaw Takes Off!]. Hatsune Miku Miku (in Japanese). October 16, 2010.

Retrieved December 15, 2010. • [Meaw] (in Japanese).. Retrieved December 15, 2010. • [On Only August 31! 'Miku Cafe' Will Open at the Shibuya Theater Tsutaya!!

(The Thanksgiving Day of Miku)] (in Japanese).. August 24, 2010. Retrieved October 9, 2010. • (in Japanese). Retrieved February 21, 2011. • [The Future of Creation Spoken on Snow Miku for Sapporo 2011] (in Japanese).. February 4, 2011.

Retrieved February 25, 2011. • [VOCALO Revolution: First Ever Vocaloid Show (as a broadcasting program on digital terrestrial TV)] (in Japanese). Vocalo Revolution. Archived from on 11 December 2010.

Retrieved December 26, 2010. December 23, 2010. Retrieved December 26, 2010. • (in Japanese). Vocalo Revolution. Retrieved January 7, 2011. • [Official Goods] (in Japanese).

Vocalo Revolution. Archived from on 10 December 2010. Retrieved January 7, 2011. • (in Japanese). Vocalo Revolution. Retrieved January 7, 2011.

• [Maiden costume picture book × Piapro] (in Japanese). Retrieved March 9, 2011. • [NHK's Determination! High Aspirations with Vocaloid Radio 'Ere Uta'] (in Japanese)..

February 5, 2011. Retrieved February 25, 2011. • • [Macne Nana Series] (in Japanese). Retrieved July 9, 2010. • [Acme Iku] (in Japanese).

Retrieved July 9, 2010. November 14, 2009. Retrieved July 9, 2010. • [Regarding Support for the Affected Areas of the Tōhoku Region Pacific Ocean Offshore Earthquake] (in Japanese).. March 16, 2011. Retrieved March 24, 2011.

Mikatan's Blog (powered by ). Good Smile Company. March 24, 2011. Retrieved March 24, 2011. • (in Japanese).

October 22, 2012. Retrieved December 15, 2015.

November 20, 2012. Retrieved August 8, 2013. • [On the Web animation Bee and PuppyCat's voice, Oliver seems to be used.]. Hatsune Miku Miku (in Japanese). July 15, 2013. Retrieved August 8, 2013.

Archived from on 2008-05-13. Retrieved July 8, 2010. • Kellplanet.. Retrieved July 8, 2010.

() • (23 August 2008). [Refining the Young Lady]. HIRASAWA三行log [Hirasawa Three-Line log] (in Japanese). Retrieved 15 July 2010. • Tomita, Akihiro (12 December 2008). 'バーチャルな「女性」への欲望とは何か' [What is the Desire for a Virtual 'Woman'].

Eureka Comprehensive Special Issue ♪ Hatsune Miku — an angel that landed on the net (in Japanese). Vol. 40 no. 15. Retrieved May 17, 2011. Archived from on 4 August 2008. Retrieved January 2, 2011. • [Hatsune Miku 'Vocaloid Album' Reaches #1 for the First Time Overtaking Tokunaga].

Oricon Style (in Japanese).. May 25, 2010. Retrieved July 1, 2010. January 24, 2011. Retrieved January 27, 2011. • [Supercell feat. Hatsune Miku 1st Album Supercell Special WEB] (in Japanese)..

Retrieved March 24, 2010. June 22, 2011. Retrieved June 22, 2011. • 19's Sound Factory (20 August 2008). (Audio CD) (in Japanese)..,. Retrieved July 8, 2010.

• [livetune feat. Hatsune Miku specialsite] (in Japanese).. Retrieved July 8, 2010.

(album data: (27 August 2008). Re: Package (Audio CD).. Limited deluxe edition:,. • (in Japanese)..

Retrieved 4 December 2014. (album data: (25 March 2009). Re: Mikus (Audio CD)..,. ) • [The Songs on Asami Shimoda's 'Prism/Kagamine Rin/Len feat. Asami Shimoda' Are Revealed]. Mycom Journal (in Japanese). Mainichi Communications.

May 22, 2009. Retrieved July 23, 2010.

• [ Vocarock Collection 2, an Album Collecting Rock Songs by Vocalo such as Miku, Is Released!!]. Dengeki Online (in Japanese).. November 6, 2010. Retrieved February 18, 2011.

February 17, 2011. Retrieved February 17, 2011. • (in Japanese). Retrieved March 5, 2011.

• Wowaka (18 May 2011). [ Unhappy Refrain] (2 Audio CD, best album + remix by v.a.) (in Japanese). Retrieved March 5, 2011. May 15, 2011. Retrieved May 17, 2011.

• [Gackpoid Contest] (in Japanese). Retrieved May 1, 2011. May 22, 2011. Retrieved May 23, 2011. August 4, 2011. Retrieved August 14, 2011. • [The Birth of the Vocaloid Sampled from Miki Furukawa and Illustrated by Yūsuke Kozaki].

Comic Natalie (in Japanese).. November 13, 2009. Retrieved August 20, 2010.

• ['Ido e Itaru Mori e Itaru Ido' Vocals & Voices Announcement!!] (in Japanese).. June 7, 2010. Retrieved July 28, 2010.

• Project if.Crypton (@project_if_cfm) (June 7, 2010). [Confirmed, so announce: On the Sound Horizon's 'The ido reaching to the woods leading to the ido', a prototype under production by the 'project if.' , have been allowed to guest appearance.]. (in Japanese). Crypton Future Media. Retrieved July 28, 2010. • [Special Combination CD (feat.

VY1)] (in Japanese).. Retrieved August 14, 2010. • [Vocaloid 2 Nekomura Iroha] (in Japanese).

Retrieved September 16, 2010. February 25, 2011. Retrieved February 27, 2011.

• Alexander Stein (March 11, 2010). Retrieved September 11, 2011. June 8, 2011.

Retrieved June 10, 2011. Retrieved December 18, 2012. • Chiaki Hayashi (December 14, 2012).. Creative Commons.

Retrieved December 18, 2012. • ^ Okada, Yuka (February 22, 2008). [Interview with Crypton Future Media (2): How Hatsune Miku Was Born] (in Japanese). Retrieved February 28, 2008. Engloids (powered by ). January 28, 2010. Retrieved July 8, 2010.

Archived from on 26 August 2011. Retrieved July 13, 2010. • [Crypton Starts a Music Publication for Vocaloid Creators. They Aim To Achieve A Balance Between Free Uses and Royalties] (in Japanese). November 29, 2010.

Retrieved December 2, 2010. Vocaloid Creativity Community. August 6, 2010.

Archived from on June 18, 2011. Retrieved December 1, 2010. • [KAT-TUN's New Song is Just Like a Popular Vocaloid Song? Author is 'Very Shocked'] (in Japanese).

November 30, 2010. Retrieved December 1, 2010. December 1, 2010. Retrieved December 1, 2010. Sankaku Complex. January 20, 2011. Retrieved January 20, 2011.

• Sheren (January 20, 2011). [Johnny's Admits KAT-TUN's New Song Is Plagiarized. Original Creator Calms Fans' Angry] (in Chinese).. Retrieved January 25, 2011. • [(Vocaloid 2 News) Digression about 'Project if.' , and an Apology Related to a Speech] (in Japanese)..

October 28, 2009. Retrieved April 17, 2012. • ['Hatsune Miku' Election Activity Plan Standstill of a Democratic Diet member with 'Don't Use Politics']. J-Cast (in Japanese)..

June 30, 2010. Retrieved July 3, 2010. Retrieved March 1, 2017. • Time+Space blog. July 15, 2011. Retrieved July 16, 2011.

Retrieved August 7, 2011. Vocaloid Creativity Community. October 28, 2010. Archived from on November 6, 2010.

Retrieved October 28, 2010. November 29, 2010.

Retrieved December 1, 2010. • Utaenai (August 13, 2010).. Vocaloid Creativity Community. Archived from on May 15, 2011. Retrieved September 5, 2010. • [(Vocaloid 2 News) This is the Last Night.] (in Japanese).. July 12, 2007.

Retrieved May 13, 2012. • [Concerning the Popularity of Vocaloid Music Overseas] (in Japanese).. July 23, 2010.

Retrieved September 5, 2010. Vocaloid Creativity Community. October 18, 2010. Archived from on May 15, 2011. Retrieved October 21, 2010. • [What Are the Game Characters You Like?] (in Japanese).. Retrieved January 4, 2011.

• Robson, Daniel (December 27, 2010)... Retrieved January 20, 2011. February 2, 2011. Retrieved February 25, 2011.; an issuance notification of 'The Fashion Issue: The Future of Music?

Hatsune Miku and the synthetic pop phenomenon'.. See also excerpt of cover story by Karley Sciortino: •. January 4, 2012. Retrieved January 10, 2012. • [2013 Vocaloid post count and contributor count] (in Japanese).. Retrieved January 13, 2014.

November 30, 2015. Retrieved December 2, 2015. Bibliography [ ] Technologies • Bonada, Jordi; et al. • Bonada, Jordi; Loscos, Alex (2003).. Of the Stockholm Music Acoustics Conference (SMAC) 03: 439–442. • Kenmochi, Hideki; Ohshima, Hayato. Interspeech 2007.

Retrieved January 9, 2011. • 'Interview of Hideki Kenmochi'. DTM magazine (January 2008 Special ed.

The Vocaloid CV01 Hatsune Miku) (in Japanese). Vol. 15 no. 2. Terajima Joho Kikaku. January 2008. • Kenmochi, Hideki; Ohshima, Hayato (February 8, 2008). IPSJ SIG Notes [] (in Japanese).

SIG Music and Computer (SIGMUS), (IPSJ). 2008 (12): 51–56. External link in journal= () • Kenmochi, Hideki (March 2008). '第III章 歌唱合成システムVOCALOIDと初音ミク [Part 3. Singing Synthesis System VOCALOID and Hatsune MIKU]'. [ The Research and Study about the Intellectual Property Rights of the Digital Contents: Developing Content Business Models and these Profitabilities and Legalities—Vocaloid 2, Hatsune Miku, Users, UGM Sites and Rightful Claimants—The Report] (PDF) (in Japanese).

Digital Content Association of Japan (DCAJ). Retrieved January 16, 2011. • Kenmochi, Hideki (May 25, 2008).. Journal of the Human Interface Society (in Japanese).:.

10 (2): 161–164.. External link in publisher= () •. Red Bull Music Academy. November 2014. Retrieved November 12, 2014. Derivative products • Ameya/Ayame (2008).

[Vocal Synthesis Tool UTAU] (in Japanese). Vocal Synthesis Tool UTAU.

Retrieved July 9, 2010. • Higuchi, Masaru (Yu) (2008-02-24).. Vocaloid Promotion Video Project (powered by ).

Retrieved July 9, 2010. • Nakano, Tomoyasu; Goto, Masataka (July 6, 2009)..

Retrieved July 27, 2011. • Nakano, Tomoyasu; Goto, Masataka (2008). [VocaListener (Bokarisu): A system for automatic parameter estimation of the singing voice synthesis, for imitating the user's singing style.] (in Japanese).

Retrieved July 9, 2010. (redirected to after 7 October 2010) Further reading [ ] • Kenmochi, Hideki; Fujimoto, Ken (2014). ボーカロイド技術論: 歌声合成の基礎とその仕組み [ Vocaloid Technological Theory - Foundation and mechanism of singing voice synthesis].,:..

External link in publisher= () • Kenmochi, Hideki (August 2009).. (in Japanese). External link in magazine= () • [Frontiers of Music Information Processing! On DTM magazine] (archive) (in Japanese). Terajima Joho Kikaku / IPSJ SIG Music and Computer (SIGMUS).

• Nakano, Tomoyasu; Goto, Masataka (August 2008). [Frontiers of Music Information Processing! VocaListener to make the Vocaloid imitate a given song] (). DTM magazine (in Japanese). Vol. 15 no. 9.

Terajima Joho Kikaku. Feature article • Santos, Carlo (July 15, 2011).. Feature article.. • Whiteley, Sheila; Rambarran, Shara, eds. 'Vocaloids, Holograms, and Virtual Pop Stars'.

The Oxford Handbook of Music and Virtuality.. Review • Santos, Carlo (May 14, 2013). External links [ ] Wikimedia Commons has media related to. • • • (in Japanese).

Start your lookup by entering something in the Syllable Lookup field to your left. The site has been updated to reflect recent VOCALOID releases and the availability of more voicebanks. The languages that has become available lately is being integrated into the update. November 21, 2015 1.

Phoneme list now pulls from the database instead of being a static text. As a result, the aliases are currently incomplete, pending re-implementation. We'll include complete working searchable aliases in the next update where you can use kana or IPA.

Voicebanks roster have also been update to reflect recent releases of existing voicebank updates. Autocomplete is currently being seriously considered for the next update. Internal files have also been rearranged to prepare for future updates. Bookmarking of results using browser storage is currently under consideration. March 18, 2015 - Added previously missed voicebank profiles. Rana, Chika, CYBER DIVA and even Xin Hua now has profiles.

February 12, 2015 - Silly me, MEIKO and KAITO are bilingual now but doesn't show as such in the lookup. That has been fixed now. VOCALOID VOCALOID2 VOCALOID3 & VOCALOID4 is the product of Yamaha Corporation. This website is responsive and viewable in desktops and mobile devices with most modern browsers such as Opera, Internet Explorer, Mozilla Firefox, Google Chrome and Safari. JavaScript is required for optimum site functionality, so please enable it on this site. In addition, please allow this site to display popup windows as well. For convenience, you can create a Desktop Application Shortcut of this site using Google Chrome, Safari or with other similar solutions.

This website was produced with the cooperation of MNC Technologies. No part of this website can be copied in part or whole without permission. For feedback, error reporting, suggestions and corrections, visit Orochi Herman's FaceBook page. Liked this tool and use it often?!